Leonardo da Vinci & The Budapest Horse and Rider
With essays by Zoltán Kárpáti, Pietro C. Marani, Andrea Bernardoni, Edoardo Villata, Gary M. Radke, Philippe Sénéchal, Kelley Helmstutler Di Dio, Miriam Szőcs, Alison Luchs, Katherine May, Shelley Sturman, Eszter Sz. Bakonyi, Zoltán Kis, and Eszter Nagy. Ed. Zoltán Kárpáti, Budapest 2018. English 232 pp., 129 ills. ISBN978-615-5304-82-8
As opposed to many short-lived attributions of sculptural works to Leonardo da Vinci, the magnificent small bronze representing the vigorous group of a horse and rider has been attracting art historians for a century. Although the attribution of any sculpture to Leonardo is difficult to sustain without any secure points of comparison, the question of the Budapest Horse and Rider’s authorship has aroused a lively discussion: was the small bronze only inspired by Leonardo’s ideas or could it be by the master’s own hand?
In the late autumn of 2018, the Museum of Fine Arts, Budapest is bringing the small bronze together with a small yet astonishing group of international loans to create a once-in-a-lifetime show. The tightly focused exhibition will be devoted to the Budapest Horse and Rider with ten drawings by Leonardo himself and some sculptural works by his contemporaries influenced by the master’s ideas representing almost four decades while Leonardo reutilized the motif of the rearing horse.
The accompanying book is laid out in the form of longer essays by international scholars who will cover the variety of point of views and the state of recent scholarship on some aspects of the problems the intriguing small bronze raises.
Foreword | Zoltán Kárpáti
The Value of an Attribution: A Critical Introduction | Zoltán Kárpáti
A Problem of Style: Old and New Considerations on the Budapest Horse and Rider Associated with Leonardo da Vinci | Pietro C. Marani
The Budapest Horse and Rider in the Light of Leonardo da Vinci’s Studies on Casting | Andrea Bernardoni
Some Notes on Leonardo da Vinci as a Sculptor | Edoardo Villata
Leonardo and the Medici 1513–16: New Contexts for the Budapest Horse and the Turin Hercules | Gary M. Radke
The Budapest Horse and Its Rider: Between Antique Coin and Raphael Fresco | Philippe Sénéchal
Raised Horses and the Rise of Sculptors in the Renaissance | Kelley Helmstutler Di Dio
Artistic Experiment as a Forgery: A New Attribution of the Metropolitan Museum’s Bronze Horse | Miriam Szőcs
Conjecture on the Origins and Findings on the Facture of the Budapest Horse | Alison Luchs, Katherine May, and Shelley Sturman
Neutron Tomography of the Budapest Horse and Rider | Zoltán Kis and Eszter Sz. Bakonyi
Annotated Bibliography | Zoltán Kárpáti and Eszter Nagy